Diana Krall - 11 Live At The Montreal Jazz Festival
11 Live At The Montreal Jazz FestivalCatalog #B000378009
DVD-Video
release date 11/23/2004
Verve Records
http://www.vervemusicgroup.com/images/local/toenails/faec4c90-60d8-4a9a-8bcb-3a9d3c109782.jpg
Live at the Montreal Jazz Festival features Diana Krall on vocals andpiano along with her band of Anthony Wilson on guitar, Peter Erskine ondrums, and Robert Hurst on bass.Most of the songs performed here areculled from Krall’s recent Verve release, The Girl in the Other Room.
The album, which has been certified Gold in the US and double Platinumin Krall’s native Canada, marked a change in that it showcased for thefirst time Krall’s skills as a songwriter.Many of the album’s songswere penned by Krall and her husband, Elvis Costello.
Some of the Krall/Costello compositions featured on Live at theMontreal Jazz Festival are “Abandoned Masquerade,” “Departure Bay,” and“Narrow Daylight.” The DVD also featuresKrall’s concert opener, theoriginal instrumental “Sometimes I Just Freak Out,” a song which is notavailable on the US version of her latest CD.
Krall also interpreted songs from a wide range of artists for The Girlin the Other Room, including Tom Waits (“Temptation”), Mose Allison(“Stop This World”), and Joni Mitchell (“Black Crow”).Liveperformances of all of these can be seen on the Live at the MontrealJazz Festival DVD.
GRAMMY®-winner Krall revisits some classic favorites from her earlierVerve and Impulse! recordings on this new DVD as well.During thisperformance, she included “All or Nothing at All” from her album LoveScenes and “East of the Sun (West of the Moon)” and “Devil May Care”from When I Look in Your Eyes.
Special bonus features on the Live at the Montreal Jazz Festival DVDinclude the music video for “Narrow Daylight,” a photo gallery, artistbiography and discography.
The DVD is 1:28:28 long
找到一个剪出来的演唱会现场video,
1 Sometimes I Just Freak Out
2 All Or Nothing At All
3 Stop This World
4 The Girl In The Other Room
5 Abandoned Masquerade
6 I'm Coming Through
7 Temptation http://www.youtube.com/watch?v=K4fbD0YBSZQ
8 East Of The Sun (And West Of The Moon)
9 Devil May Care
10 Black Crow
11 Narrow Daylight
12 Love Me Like A Man
13 Departure Bay
14 Narrow Daylight
Diana Krall - 12 Christmas Songs
12 Christmas Songs (feat. The Clayton/Hamilton Jazz Orch.)Catalog #B000471702
Album Length Compact Disc
release date 11/1/2005
Verve Records
http://www.vervemusicgroup.com/images/local/toenails/5ba19dc801f147a191284cad983f188b.jpg
Co-produced by Krall, with GRAMMY®award winning, Tommy LiPuma, thealbum features the talents of renowned arranger and bassist JohnClayton (Count Basie, Duke Ellington), guitarist Anthony Wilson (ChrisBotti, Michael Buble), drummer Jeff Hamilton (Rosemary Clooney, NatalieCole) and bassist Bob Hurst (The Tonight Show with Jay Leno, SaturdayNight Live). The Clayton/Hamilton Orchestra accompanies Krall forseasonal standards, "Let It Snow," "I'll Be Home For Christmas," "SantaClaus Is Coming To Town" and "Jingle Bells."
Legendary composer Johnny Mandel contributes a string arrangement to"Count Your Blessings Instead of Sheep."Rounding out the album arepreviously released versions of "Have Yourself A Merry LittleChristmas" and "Christmas Time Is Here" with a band that includesguitarist Russell Malone.
This albumis the perfect stocking stuffer for the holiday season for you and all your friends!
1 Jingle Bells
2 Let It Snow
3 The Christmas Song
4 Winter Wonderland
5 I'll Be Home For Christmas
6 Christmas Time Is Here
7 Santa Claus Is Coming To Town
8 Have Yourself A Merry Little Christmas
9 White Christmas
10 What Are You Doing New Year's Eve?
11 Sleigh Ride
12 Count Your Blessings Instead Of Sheep
Diana Krall - 13 From This Moment On
13 From This Moment OnCatalog #B000732302
Album Length Compact Disc
release date 9/19/2006
Verve Records
http://www.vervemusicgroup.com/images/local/toenails/321772f33f59477b871fd176d9f60d84.jpg
“This album coincides with a happier time in my life. I think it’s veryobvious in the music. It reflects how I’m feeling now, the joy that Ihave in my marriage and family, and hopefully in the future.”
It had only been a few days since singer and pianist Diana Krallpublicly announced that she and husband Elvis Costello were expectingtheir first child. Her remarks may have primarily focused on herupcoming album, but it was easy to discern the rosy glow as shediscussed imminent arrivals, and how she came up with the name for oneof them.
“I already knew before we went into the studio the title of the record.I definitely knew it was going to be From This Moment On.”
Cole Porter’s romantic ode to great expectations (with its hip,heartening couplet, “No more blue songs/Only whoop-dee-doo songs”)could not be more apt a title track for Krall’s tenth album. From ThisMoment On is an eleven-song collection that captures the Canadian-bornsensation in full swing, in great company, and at the top of her game.It could also be called her strongest, most cohesive release to date.
Krall is the first to admit that the album’s marked, upbeat theme wasnot originally her intention (“I never try to link tunes together orfind songs that work together as a whole. It happens organically in therecording process, or not at all.”) But she does assume credit forknowing the songs she would be recording when she, her quartet and theClayton/Hamilton Jazz Orchestra assembled for two weeks in LosAngeles’s famed Capitol Studios this spring.
“I didn’t really sit down with anybody prior to recording it and say,‘I think I want to do this.’ I knew exactly what I wanted from the getgo. I started writing down song titles last summer, but a lot of thesetunes I’ve had in my back pocket for years. I’ve been working on ‘HowInsensitive’ for about ten years. ‘Day In, Day Out’ I started workingon when I was about 24. I mean these are all tunes that finally havefound their place.
“Every tune has to have some sort of personal connection. But Ididn’t want it all to be too upbeat – like ‘Willow Weep For Me’, whichfor me is more of a social comment, adds a question mark to thatpositive feeling.”
In songs, mood and delivery,From This Moment On reveals Krall’spersonal ardor for that golden era of song-making, when Frank Sinatra,Ella Fitzgerald and (especially) Nat “King” Cole were in their prime.It’s musical territory that Krall has often explored, but this albumwas certainly not a case of simply repeating past formulas: Krall’sA-team of support – producer Tommy LiPuma, engineer Al Schmitt andarranger/bandleader John Clayton – were on hand to ensure thatinspiration was kept on an edge, unhindered by the studio environment.
“I’m not exactly working with people who are going to just say, ‘Ohit’s lovely, Diana.’ We never go an automatic pilot, you know?Sometimes I feel incredibly exposed during the recording process butfortunately I have the safety net of people whom I can listen to, andagree or disagree with. There’s nobody hanging over me and saying youhave to do this or that. But that doesn’t mean that there aren’tsurprises and it can be an extraordinarily intense environment. Theemotions can run high since people care so passionately about the musicand what we are doing.”
Krall – for the few still unknowing – is the sensation whose cool,heavy-lidded vocals and strikingly sensitive piano-playing has helpedher transcend barriers of genre to become a popular artist of the firstorder who has carved herself a permanent position at the top of thejazz charts.
The seeds of Krall’s crossover success are firmly rooted in herupbringing. Born in Nanaimo, Canada, to a musical family – her fatheris a stride-style pianist and serious record collector -- she grew upabsorbing music that laid the foundation for her future growth. Sheattended Berklee College of Music in the early ‘80s, moved to LosAngeles where she continued her studies with the likes of bassist RayBrown and pianist Jimmy Rowles, who convinced the young pianist tofocus on her singing as well. By 1990, Krall relocated to New York Citywhere she began performing on a regular basis with her trio. In 1993,she released her debut album on a small Canadian independent label.
Thirteen years later, she can look back over a stellar career path: in’99, signed to Verve, her career exploded when When I Look in Your Eyeswon a GRAMMY© for best jazz vocal and became the first jazz disc to benominated for Album of the Year in twenty-five years. In 2002, The Lookof Love was a #1 bestseller in the US and a seven-time platinum albumin Canada. 2004’s The Girl in the Other Room, was her first to focus onher own songwriting – featuring six tunes co-written with her husband –and last year’s Christmas Songs proved one of the season’s best-sellers.
From This Moment On delivers Krall closer than ever to her musicalaspirations and, in many ways, serves as a tribute to her heroes andmentors. One can detect her gratitude in a variety of musical moments.
“There’s a couple of pieces that I put Ray Brown into – like hisintroduction to Count Basie’s Little Darlin’ on ‘You Can Depend On Me’-- and a lot of Shirley Horn was present in ‘ComeDance With Me.’ Our treatment of ‘From This Moment On’ came togetherafter listening to Kenny Dorham’s version which Ireally love. I hear Billy May especially in ‘Day In Day Out.’
“I have to mention Fred Astaire’s influence on ‘I Was Doing All Right’– and in fact, all through the album. I listened to a lot of Fred withOscar Peterson while preparing for this project, as well as watching alot of his early movies, like Swing Time."
“Do you know that great album with Duke Ellington and Frank Sinatra,where he sings ‘Poor Butterfly’? ‘ Isn’t This A Lovely Day’ is veryreminiscent of that. John wrote that arrangement at dinnerthe night before we recorded it. We were all sitting at a restaurantand he’s got a pad of paper. He was laughing and having theconversation and you see the wheels turning at the same time. And Iloved playing piano on that. I think that’s my favorite piano work onthe whole record – that, and ‘Exactly Like You.’”
Krall’s piano work and her arrangements – particularly on the album’sfour quartet performances – are all standouts, as are a number ofinstrumental solos that she recalls with a marked fondness.
“That’s Gerald Clayton on piano on the title track -- he’s an amazingpiano player and I think he played the hell out of that tune. I thinkJeff Clayton’s alto sax solo on ‘Isn’t This A Lovely Day’ is amasterpiece -- definitely one of the highlights of the record. AndTerell Stafford played the perfect trumpet solo right after that! Hewalked in, nailed it in front of the whole band, and I said ‘Terell,you sound like an old man.’ He’s only in his 30s! I meant it as thebest compliment.
Krall is quick to point out that she is happy with everything on thealbum for different reasons, especially for the collaborative results.“I’m proud of tunes like ‘Exactly Like You’ specifically for everylittle note that Anthony plays, and simply for howthe subtlety can work when we all play together, and how we all playwhat matters.”
“Playing what matters” could well be the subtitle to From This MomentOn. There’s an economy and confidence that speak to the maturity ofKrall as a performer, and a recording artist.“I really settled inwith this record. I think I’ve let go of trying to prove something, andI wasn’t out to overplay solos. To just settle back into the bench andplay those tough tempos and keep the solos simple and melodic andbeautiful, and not have to pass a poll of some kind? That’s enough.”
From This Moment On is also a recording that cannot help but exposeKrall’s feelings of being a wife and expectant mother. “It’s areflection of who I am and where I am at this time. So I need to getthat album out like now because that’s how I feel now. I don’t know howI’m going to feel six months down the road, so ‘Only whoop-dee-doosongs’? Yeah. Exactly.”
1 It Could Happen To You
2 Isn't This A Lovely Day?
3 How Insensitive
4 Exactly Like You
5 From This Moment On
6 I Was Doing All Right
7 Little Girl Blue (现场的一首video)http://www.youtube.com/watch?v=HjXB69HrvhQ
8 Day In Day Out
9 Willow Weep For Me
10 Come Dance With Me
11 You Can Depend On Me
Diana Krall - 14 The Very Best Of Diana Krall
14 The Very Best Of Diana KrallCatalog #B000941202
Album Length Compact Disc
release date 9/18/2007
Verve Records
http://www.vervemusicgroup.com/images/local/toenails/2c7c0e80e9644627a81c4ef2492bfb73.jpg
The Very Best of Diana Krall includes personalized interpretations oftimeless vintage standards by such essential composers as George andIra Gershwin, Cole Porter, Irving Berlin, Rodgers and Hart, Van Heusenand Cahn, and Bacharach and David.The material encompasses the lushromanticism of "S'Wonderful," the playfully seductive humor of "Peel MeA Grape" and the yearning balladry of "I've Got You Under My Skin." Krall also demonstrates her versatility with musical settings thatrange from the playful swing of "Frim Fram Sauce" to the intimate bossanova of "The Look of Love"
The collection also features three previously unreleased performances:a moody, evocatively orchestrated reading of the Frank Sinatra classic"Only the Lonely," a pensive reading of "You Go to My Head," a standardpopularized by Sinatra and Billie Holiday, and an inventive reworkingof Tom Waits' "The Heart of Saturday Night," the latter demonstratingKrall's ability to apply her interpretative abilities to contemporarymaterial.
1 'S Wonderful
2 Peel Me A Grape
3 Pick Yourself Up
4 Frim Fram Sauce
5 You Go To My Head
6 Let's Fall In Love
7 The Look Of Love
8 East Of The Sun (West Of The Moon)
9 I've Got You Under My Skin
10 All Or Nothing At All
11 Only the Lonely
12 Let's Face The Music And Dance
13 The Heart Of Saturday Night
14 Little Girl Blue
15 Fly Me To The Moon (现场的一首video) http://www.youtube.com/watch?v=qVCgf6_M7i4 原帖由 咪姆 于 2008-6-26 16:39 发表 http://www.dolc.de/forum/images/common/back.gif
给嫩给地址看看这不能找到你想要的
www.imeem.com
我一会就删帖子
我没看懂斑竹的话，这是要删铁子么？我这个帖子没违规啊，给的是官方网站的连接，和youtube的连接。 原帖由 文轩 于 2008-6-26 16:49 发表 http://dolc.de/forum/images/common/back.gif
我没看懂斑竹的话，这是要删铁子么？我这个帖子没违规啊，给的是官方网站的连接，和youtube的连接。
$m13$ 我的意思是把我刚才发的帖子删了 嫩的我不删
我以为你发完了呢，后来发现我插队了$m30$ $m30$ 原帖由 咪姆 于 2008-6-26 16:52 发表 http://www.dolc.de/forum/images/common/back.gif
$m13$ 我的意思是把我刚才发的帖子删了 嫩的我不删
我以为你发完了呢，后来发现我插队了$m30$ $m30$
哦明白了，我瞎紧张了一回。:) $m30$ 嫩太不了解俺们捏，很少删帖子。。。。 1 I Love Being Here With You
http://www.youtube.com/v/OqGuFfeAdgw&color1=0x006699&color2=0x54abd6&border=1
[ 本帖最后由 tertial 于 2008-6-26 17:12 编辑 ] 3 Let's Fall in Love
http://www.youtube.com/v/_YvBFNK-UF0&color1=0x006699&color2=0x54abd6&border=1